As Seen In:

(Running this early because I might have some laptop issues imminent.)

The 80-page Invasion #3 has such a misleading cover that I wonder if it reflected an earlier, discarded version of the plot. AAR, the actual plot (by Keith Giffen) has enough impact on the Justice League that it deserves its own section here. Finished art (over Giffen layouts) by Bart Sears, who had a long future with this League ahead of him. Script by Bill Mantlo, whose work on the series was his only DC Comics job ever.

The war is over, but like Hiroo Onoda, the last Japanese holdout of World War II, one Dominator geneticist refuses to give up the fight.

( Not that one should encourage too many comparisons between the Japanese and the yellow-skinned Dominators, who attach great importance to a red circle, are known as planners, have a pluralistic society, attacked the Southeast Indies…uh, but they also have castes and forehead dots, like Indians…Fu Manchu fingernails…you know, I’m starting to regret that I brought this up… )

Invasion #2 wrapped up the actual alien invasion, leaving the crossover issues to deal with the aftermath and then get a surprise ending, leading into Invasion #3.

Wonder Woman begins WW #26 feeling a much greater sense of camaraderie with the Justice League International than she would ever show again, including years later when she was leading the team. It’s hilarious, but relatable, that even though the JLI would sign her on in a heartbeat, she’s like, I know it’s arrogant to think myself worthy, but what if they might maybe someday possibly consider me? If I keep my numbers up?

( It’s a damn shame this era’s Max Lord never got to meet this era’s Myndi Mayer. )